The interior section of Cape Ann, which includes Gloucester and Rockport, is called Dogtown. It was the earliest part of the Cape to be settled, and was later abandoned, so that its only occupants for many years were dogs, witches, and other assorted outcasts. It is still largely undeveloped. “Why here?” visitors ask,
With the Summer Solistice upon us, it’s a good time to revisit the Earth Goddess and her literary legacy. In sync with the first Earth Day in 1970, when I was an impressionable 14 year-old, women were throwing off the shackles of patriarchy in the streets and in their homes, even in churches, chucking out any male god who lived on a cloud. Many turned to the Old Religion, governed by the Goddess, who once reigned over a peaceful, matrilineal world in harmony with Nature. Then, according to legend, the priests came, driving her and her followers underground where they were called witches, and thus began civilization’s slide into constant war and ecological devastation.
Women writers of the 70’s and early 80’s incorporated this mythopoeic vision into their novels, and I read them all. Marge Piercy, in Woman on the Edge of Time, wrote about an ideal society based on the assumed female principles of peace and love of the earth, set against a cautionary tale of continued male domination and its attendant disregard for the planet. In The Handmaid’s Tale, Margaret Atwood created a dystopia of sexism and violence after men become infertile by a toxic event of their own making. Other writers contemplated the past instead of the future. Marion Zimmer Bradley retold the King Arthur myth from Morgan le Fay’s point of view in The Mists of Avalon, making the goddess worshipper the heroine and not the villain. Jean Auel, in Clan of the Cave Bear, placed the goddess plunk in the center of the Stone Age.
By the mid-80’s, as women put on their shoulder pads and floppy ties and went to the office, feminism began to pull away from the Earth Goddess. Flouting one’s fertility and innate peaceful nature at the office was not going to break any glass ceilings. The focus had turned to job equality and pay equity, so academic and political interests set out to prove there were no differences between the genders. And rightly so. It’s a small step from archetype to stereotype.
JoeAnn Hart is the author of Float, a “witty, profound, and beautifully observed” (Margot Livesey) novel about family, the environment, and life in a hardscrabble seaside town in Maine. Karen Ristuben is an award-winning artist and educator whose work is environmental advocacy at its core. JoeAnn and Karen, who both live in Gloucester, Massachusetts, recently talked about …